Shimmerling Wins Two Awards!

Shimmerling CoverExcited to find out this week that…
Shimmerling has won two awards!

The Midwest Book Festival Runner-up
The awards ceremony for the Midwest Book Festival takes place in Chicago on November 21st. Unfortunately I won’t be able to attend. :(

USABestBook Award FinalistThe USA Best Book Awards Finalist.
Stickers for the book should be arriving soon.
If you’ve already purchased a copy of Shimmerling and would like a sticker, please email me and I’d be happy to mail one to you.

To read Shimmerling, click HERE.
To learn the inspiration behind the book, click HERE.

To watch the book trailer, click HERE.
To view a video showcasing the making of Shimmerling, click HERE.

To Purchase Shimmerling, visit Wooden Nickel Press or Amazon

The Shimmerling residency was funded by Arts@Large. To learn more about this amazing non-profit or to donate to their worthy organization, visit

Matthew Cordell’s Studio Tour

Matthew Cordell - 9 (1)Today on Tuesday Tours we have the talented author and illustrator Matthew Cordell sharing his studio from just outside of Chicago. I love Matthew’s illustrations and I’m not the only one, as he’s the illustrator of over 25 books and counting. One of which is the New York Times Notable picture book, HELLO! HELLO! He’s currently busy at work finishing up the artwork for two picture books, as well as developing sketch dummies for two others, one of which he’s also writing. This busy workload might create a bombed out studio—his words, not mine :) . But it also lends itself to an amazing energy that flows throughout Matthew’s work.


Matthew Cordell - 1

It ain’t beautiful. But it is ugly beautiful.

Tell us a little bit about yourself and your creative medium.
I was born and raised in a small town in South Carolina and moved to Chicago when I was 24 years old. I’m now married to my lovely author wife, Julie Halpern, and we have two kids (6 and 2) in suburban Chicago. My schooling was in graphic design and fine art, but after a detour or two, I made my way into the world of art and storytelling with books for children. And thankfully so. It reignited my nearly flamed out artistic passions and I really, really love it here. I like messy, expressive, unconventional (dare I say ugly) art. I also like humor in art. Not so much the knock-you-over-the-head-with-it kind, I guess I’m more drawn to the subtle stuff. Generally speaking I like people and things that don’t always take themselves so terribly seriously. A sense of humor and humility in work and in life. These are musts. My art is primarily created by drawing in pen and ink and coloring in watercolor. I’ve strayed from this particular combo here and there, but pen and ink is what I love (sometimes hate) and end up doing the most.

Matthew Cordell - 7

There’s a ton of books on bookshelves down here. Some of which are pertinent to my work, some of which are just books we’ve accumulated as a family over these many years. And, of course, more clutter.

How long have you had your space and how does it affect your creative process?
When I went full time book maker back in 2007, I was working in one of the 3 bedrooms of our house, on the upper level. A little small, but lots of natural light with a nice view of the backyard. But when our second child was born in 2013, I had to vacate that room and move my operation down to the basement. Since it’s mostly subterraneous down here, there’s very little natural light (2 window wells) and it’s basically cold year round, I don’t love it, but I can certainly get by. I thrive off of natural light, so truthfully it can be a bit of a bummer working in a basement. Lately when I’m painting, so I can bet a better handle on color, I’ll temporarily set up a table in our master bedroom by a window and get the natural light fix. My wife suggested this a couple of books ago for me. Great idea, really, to mix it up. Truth is, I’m not terribly picky about stuff. I don’t need a beautiful or organized (or clean for that matter!) space to be happily at work. I do like daylight and I miss that in my current workspace. Eventually I’ll have to figure something else out. Eventually. With young kids and a heavy workload, stuff like having the studio you want takes a backseat in life.

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My drawing table. On the table here are a few studies for the next picture book I’ll soon be starting final art for, WOLF IN THE SNOW. I think I’ll be trying something new (new to me) drawing with several layers of colored inks. To be determined…

Describe a typical work day. Do you have any rituals you do before you start creating?
Half of my day—the morning—is spent working as a Dad for my 6-year-old (driving her to school) and my 2-year-old (doing stuff 2-year-olds like to do). My wife (author Julie Halpern) works in the morning and takes over with the kids usually around lunch time. I spend the rest of the day (and sometimes nights after everyone’s in bed) down in the basement. No rituals to speak of really. Usually I start the work day by answering emails and social media upkeep. Then it’s draw, write, repeat.

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Corkboard with odds and ends and some favorite pics of the fam.

When was a time you had the most fun working in your studio?
It’s hard to pinpoint any one moment that has been fun or rewarding. I think my favorite part of the process of creating a book comes just after all sketches are approved and it’s time to make the final art. But the favorite part is just after THAT. When it’s finally time to make the final art, I really set in dreading making that very first mark on paper. I’m afraid of what it will or won’t look like. Then, when I finally work up the nerve to start, and it’s looking good, there’s a huge rush of relief. The ice is broken. And then I’m up and running and it feels great. Give or take the snags and self-doubt speedbumps along the way. Oh! And FINISHING a book and being DONE and mentally fat and happy with all that has just been accomplished. That final, final moment after all the days, weeks, months, years (?) that went into making a book from very beginning to very end. That is absolute bliss, man.

Is there any special item/trinket in your space that inspires you?
I have a poster of Mister Rogers hanging above my computer desk. Folks who don’t know much about Fred Rogers, I highly suggest you poke around and see what you find. As far as I can tell, he was, like, THE perfect human being. Selfless, kind, wise, accepting, curious, sincere, humble, funny… I find him—his life and his life’s work—tremendously, incredibly inspiring.

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My computer desk. Underneath all those papers (lots and lots of sketches!) is my trusty lil’ scanner. Underneath that other pile of papers (more sketches!) is my trusty lil’ laser printer. Underneath that other big pile of papers (sketches!) … that’s just a big pile of papers (sketches).

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This shelf houses all of my favorite books. Picture books, comics, image ref, dictionary, thesaurus, etc. It’s sort of organized.

A bunch of weird, random, keepsakes. Including some things friends have made for me, an old cheap chalkware statue that will always remind me of my Nana’s house, and some old weird kid busts that my wife got from somewhere!

A bunch of weird, random, keepsakes. Including some things friends have made for me, an old cheap chalkware statue that will always remind me of my Nana’s house, and some old weird kid busts that my wife got from somewhere!

What’s the biggest distraction for you when you’re creating? How do you deal with it?
Social media. Facebook, specifically. I’m on Twitter too but I never really grabbed onto that one. I don’t do instagram, tumblr, or anything else. I just don’t have the mental capacity to keep it going on more than one platform. I mostly use Facebook in a creative/professional capacity. I love sharing work and discovering and seeing new work and works-in-progress from my contemporaries. I accept that it’s become a part of the job, in a sense, but it does get super distracting. I usually just try to take little breaks (equivalent, I guess, of, like, smoke breaks) and check in on the Facebook between chunks of drawing/painting. That kinda keeps it at bay.

Matthew Cordell - 8

If you could live inside the world of one of the picture books you’ve illustrated, which one would it be and why?
Definitely SPECIAL DELIVERY (written by Philip Stead). It’s totally weird and wild and fun and exotic. High adventure! Lots of animals! Beyond that, it’s basically only kids and old folks in that book. My favorites.

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A pile of books on my floor that have been recently inspirational, or recently purchased, or recently looked at, or recently useful in SOME way.

What other artists, writers or creative people are you most inspired by at the moment?
I love John Burningham. I think he might be my #1 book making inspiration. He’s so… out there. I also really love Quentin Blake, William Steig, Jules Feiffer, Bernard Waber—folks who have been or were so very loose-limbed with the pen. I’ve really been getting into the picture books Quentin Blake and Russell Hoban did together. Sendak, of course. Saul Steinberg is always in the back of my mind somewhere. Arnold Lobel is amazing. Virginia Lee Burton is great—often for nostalgic purposes too. Lately, I’ve been digging into Leo Lionni’s books. In terms of more contemporary inspirations… I’m always super diplomatic answering this sort of question! Truth is, there are a great many authors and illustrators today that I find inspiring. But I hesitate to name just a few, because I don’t want to hurt anyone’s feelings by leaving folks out! (Total cop out.)

Matthew Cordell - 11

If you could relocate your studio for part of the year to another geographical location, where would it be?
Hmm. That is a great question! Since my daughter’s in first grade and fully entrenched in school now, we don’t have this option. But I love the idea of it. Since it’s fantasy at this point, how about one of two places that don’t really exist? Um… Northern Exposure’s Cicely, Alaska. Or Gilmore Girls’ Stars Hollow.

Matthew Cordell - 2

A small couch where I often sit when it’s not covered in stuff. On top of the understuff here, are character sketches and color studies for a picture book I just finished, BOB NOT BOB.

What advice do you have for people who want to make a personal space where they can be creative?
My advice would be… don’t get too hung up on making THE perfect space. Often times, that is ultimately procrastination anyways. Just find the room or area you need, set yourself up more or less, and get to work! Everything else will fall into place. Let the making of the work define the space, not the other way around.

Matthew Cordell - 4

There’s shelves on the walls with various toys and tchotchkes collected by the wife and me over the years. They used to be “collectibles”, but since we’ve had kids, the “collectibles” are just “toys” that come off and go back on the shelf at any given time.

Matthew Cordell - 8 (1)

What’s coming up for you and where can we find out more?
I just finished a picture book called BOB NOT BOB which I loved illustrating through and through. The story is clever and unique and funny and a just the right amount of weird and was written by authors Audrey Vernick and Liz Garton Scanlon. Currently, I have several plates in the air: about to start final art for my next author/illustrator picture book, WOLF THE SNOW (Feiwel and Friends, 2017); writing and sketching up another picture book that will be a follow up to my 2015 book, WISH (Disney-Hyperion); and I’m about to start a sketch dummy for THE ONLY FISH IN THE SEA, a follow-up to this year’s SPECIAL DELIVERY (Roaring Brook). wishMy next book out will be another picture book I had the great fortune to illustrate called LOST. FOUND. by author Marsha Diane Arnold. Super clever and fun and sweet despite there only being two words in the whole book! (Guess what they are?) That’s out November 3. I had three other books out in 2015, WISH, SPECIAL DELIVERY, and FIRST GRADE DROPOUT by Audrey Vernick. It’s been a blockbuster year! My website is but it’s shamefully out of date. Better yet, maybe, connect with me on Facebook!

Thank you so much, Matthew! Looking forward to seeing you this weekend at the Prairie Writers Day. And I’m anxious to see what BOB NOT BOB is all about—I just love the cover. Best of luck on all the books you have coming up!

Little ElliotTuesday Tours will be back on December 8th when Mike Curato, creator of the adorable Little Elliot books,  shows us his Brooklyn studio.

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Picture Book Halloween

My favorite holiday gets a little bit better when my family and I dress up as characters from pictures books. Last year my daughters Evey and Celia got to have all the fun, but this year Michael and I, our nephew, and my brother and sister-in-law got to join in as the creatures from Maurice Sendak’s book Where the Wild Things Are.

WILD THINGS! Costume picture

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Eliza Wheeler’s Studio Tour

Eliza Wheeler Today on Tuesday Tours I’m delighted to welcome Eliza Wheeler, an amazing illustrator and author who’s penned the New York Times Bestseller Miss Maple’s Seeds and illustrated award-wining books like Doll Bones by Holly Black and Wherever You’ll Go by Pat Zietlow Miller. Eliza offers illustrators incredible advice on her blog about preparing a portfolio and she has one of the best blog posts I’ve read recently—The I Suck Dilemma, which addresses how to roll with the continual self-doubt that creators have. Eliza is as delightful as the beautiful worlds she paints, and I’m excited to see what she’ll do when she teams up with Pat Zietlow Miller again on a book called Brave.skyberg-tuesday-tours-logoPainting table
work_Miss Maple
Tell us a little bit about yourself and your creative medium.

I grew up in a small northern Wisconsin town, and went to school for graphic design at the University of Wisconsin-Stout. While in school, it was the drawing and painting classes that I loved, rather than the computer work that my major consisted of. I didn’t really think that drawing (in any form) could be a viable career option for me, so I finished school with the design degree. My husband and I moved to Los Angeles in 2007 so that he could pursue film work, and I found in-house and freelance design jobs, and drew whenever I could on the side. In 2009 I attended the Society of Children’s Book Writers and Illustrators conference for the first time and it felt like the stars aligning for me. I focused on building and refining an illustration portfolio over the next few years, and in 2013 my first book, Miss Maple’s Seeds was published by Nancy Paulsen/Penguin Books (which debuted on The New York Times Bestseller List!). Since then, I’ve been working full time to create illustrations for both picture books and middle grade novels. I work with dip pens in India Ink, paired with watercolor paints on Arches paper.
Studio pic
How long have you had your space and how does it affect your creative process?

I’ve been living in and working out of a small studio apartment in the Los Feliz neighborhood of Los Angeles since 2011. My bedroom, living room, and studio are all in one space – and all shared with my husband, Adam. Some people wonder how we don’t go crazy (admittedly, sometimes we do), but being both artists pursuing creative fields, we had to make a choice between having more space and less time (getting jobs to support the space), or living in a smaller way. We decided on the latter.

couch table
work_doll bonesHaving a small space can be restricting to the creative process, and I try (and usually fail) to be as organized as I can. When I’m sketching or inking, things stay cleaner, but once I start painting, the whole process sort of explodes all over the place. The biggest sacrifice in a small space is having surface space on which to spread out. I often fantasize about the day I might have a large studio space apart from my living space – with tables and storage galore! That said, my current space has taught me the art of being able to make things work; to be flexible and roll with the punches in limiting circumstances. Adam built a little lap-table for computer work or sketching on the couch (isn’t it the cutest?), which is a nice break from the drawing table and we can use while watching TV. I also bring work to coffee-shops and the library when possible.

Painting tools

Describe a typical work day. Do you have any rituals you do before you start creating?
The past two years I’ve had heavy project loads, and I usually work from about 10am10pm. Ideally I would try to keep a more normal schedule. My mornings start quiet and unplugged – my two rituals are 1) lighting a candle when I start working, 2) setting a timer every 45 minutes to meditate, stretch or read. If I’m doing something that needs mental focus I listen to music, otherwise I listen to lectures, podcasts, radio, audiobooks and as the day goes along I end up watching (mostly terrible) TV. It has to be entertaining enough, but not too good so as to be distracting!

Drawing with Jen Rofe

Drawing with Jen Rofe

When was a time you had the most fun working in your studio?
When I first got my agent, Jen Rofe, she came for a visit and asked me to give her a drawing lesson. I didn’t know her well at this point, and I was nervous! I thought maybe she was expecting me to prepare a lesson, but right away she started asking about how to draw a box, so I showed her two-point perspective. That blew her away! It was a hoot. She was so enthusiastic and excited to learn—the dream student.

Los Angeles Apartment_web
If you had to pick a quote to hang above your desk for inspiration, what would it be?
“Sometimes, if you stand on the bottom rail of a bridge and lean over to watch the river slipping slowly away beneath you, you will suddenly know everything there is to be known.”― A.A. Milne

Inspiration Board

What’s the biggest distraction for you when you’re creating? How do you deal with it?
TJ61-9-2013 JKT 175L CTP_Layout 1
Social interactions are by far the biggest distractions. I’m unfortunately the kind of introvert that gets drained by any amount of interaction; face-to-face, by phone, and online. I’ve had to be really diligent and intentional about staying unplugged most of the time in order to allow the kind of creative mental space that I need. I check work email twice a day, and personal email far less. I look at social media one day a week. I found an app (CritiCall) that only allows calls from my husband and my agent. Someday I’m sure I’ll whittle things back down to a land-line and P.O. Box!
Our Baby painting

If you could live inside the world of one of the picture books you’ve illustrated, which one would it be and why?
I love this question! When I illustrated Wherever You Go I decided I was going to draw the world that I wanted to live in – but I do also prefer the quiet country lifestyle of Miss Maple, so it’s a toss-up. So maybe, I would live in Miss Maple’s treehouse, INSIDE the world of Wherever You Go!


What other artists, writers or creative people are you most inspired by at the moment?
At the moment I’m working on a picture book biography of J.R.R. Tolkien, so I’m steeped in both his real world and story world. It’s been a bottomless well of inspiration! I’m also referencing Harry Clarke, Sidney Sime, Franklin Booth, and as always, Lisbeth Zwerger.

LA Library

LA Library

If you could relocate your studio for part of the year to another geographical location, where would it be?
Another fun question—I would choose a river house in the forest by the Brule River in Wisconsin, a river that my family canoed growing up. It’s a beautiful, magical place.

What advice do you have for people who want to make a personal space where they can be creative?
Get creative with your space. Don’t need perfect circumstances in order to work—be flexible and mobile when possible. Be solution-oriented when it comes to having housemates around and needing time to focus. My headphones have become a great tool for letting my husband know that I’m in the zone and shouldn’t be interrupted.

work_CodyWhat’s coming up for you and where can we find out more?
My newest illustrations out are in Wherever You Goa picture book by Pat Zietlow Miller, as well as a middle grade, Cody and the Fountain of Happinessby Tricia Springstubb. Coming next spring and summer will be two picture books: Tell Me A Tattoo Story by Alison McGhee, and This is Our Baby Born Today, by Varsha Bajaj.
See more online at

Thank you so much, Eliza! The map of your apartment is an extra treat and I love seeing how you use your space to the max! Your advice to people for being flexible and solution-oriented when finding a place to work is fabulous. Looking forward to seeing your upcoming projects!

Join us on November 10th when the talented Matthew Cordell shares his Illinois studio with us.

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Recap of SCBWI Wisconsin Fall Conference

Great times at SCBWI’s Wisconsin Fall Conference. My top five favorite memories:

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FUN: Hung out with my LITtle Ladies critique group—Sheri Roloff, Rachelle Lisiecki, and Rochelle Groskreutz, and my “conference wife” Amy Ward.

FACT: Presented The School Visit Toolbox and shared what to do if you’re presenting to a class and have sharp pencils thrown in your direction.

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FUN: Learned from Dan Santat that font is important, and unless you’re an artisanal goat cheese restaurant in NYC, Helvetica might not be the best choice.

FACT: His advice—pick design over execution, meaning you can have a great painting/illustration, but it won’t matter if the design isn’t considered.


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FUN: Crashed a formal fundraiser with Katherine Harrison and Sheri Roloff.

FACT:  Circumstances can change and be imagined, but write what you know emotionally says Katherine in regards to voice and character.

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FUN: Embarrassed by my tear-streaked faced during Pat Zietlow Miller’s closing keynote, until I looked around and realized I was not the only one.

FACT: Writing success takes Talent, Luck, and most importantly, Tenacity says Pat.

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FUN: Found out why you should never leave a bird’s nest close to your house (i.e. bird mites are the new bed bugs) from Bruce Coville over a BLT at Roots Cafe.

FACT: “Craft without inspiration leads to basket weaving, inspiration without craft leads to contemporary art.” —Bruce Coville