New Year! New Residency! New Book!

I’ve been working with Milwaukee Environmental Science Academy to create a new book this year. Over 200 kids along with the entire staff are working with me to write and illustrate a picture book based on their school’s character traits. The staff started the project in early January, collaging and designing the cover for our book. The school’s mascot is the yellow jacket, which is why we chose to feature them on our cover. In the next two months, the students will work with me to illustrate the interior page spreads, as well as write the story. Each page spread will feature text created around one of the school’s character traits, combined with the image of a tree and a Wisconsin animal. The big idea in the book is that just like a tree needs water, air, and nutrient rich soil to grow, we need character traits like integrity, grit, stewardship, respect, leadership, and craftsmanship to grow into strong and beautiful additions to the earth. While these illustrations will serve as the page spreads in the book, we will also have them enlarged and printed on 4′ x 6′ vinyl to be used to decorate the school. The project is made possible through funding from Arts@Large.

Laura Lee Gulledge’s Studio Tour

Laura Lee - 20Today on Tuesday Tours I’m excited to share the Virgina studio of author and illustrator Laura Lee Gulledge. I had such fun meeting Laura Lee at the Sheboygan Book Festival this past fall where we were both presenting. After hearing about how she was transforming the woods behind her house into art, I knew I had to have her on Tuesday Tours. In addition to her earthworks, Laura has created two fabulous graphic novels—Page by Paige and Will & Whit. Laura’s an active teaching artist, giving presentations and leading workshops for both students and adults. Her collaborators (or what she calls Artners) and herself are at work on turning Will & Whit into a play opening sometime in the new year.

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Tell us a little bit about yourself and your creative medium.
I love art, drawing, and storytelling! I write and draw magical-realism-style graphic novels geared towards young adults. Besides making books I also enjoy performing drawing & painting live. My personal (and therapeutic) creative outlet has usually been illustration, but this past year has taken the form of landscaping. I’ve been carving out a “writer’s grove” in the woods behind my house: building terraces with chunks of quartz, digging a firepit, planting ferns. It’s fun world building. Then my Artners and I (AKA: partners in art) are currently making a musical adaption of Will & Whit for young performers which is an exciting new outlet for me. I also love another form of storytelling: Teaching. I enjoy connecting with students and sparking inspiration. Recently I gave comic workshops through the Virginia Museum of Fine Arts and was the Art Director at Camp Sequoia for young men with ADHD.

How long have you had your space and how does it affect your creative process?
I’ve been in my current space here in Virginia for a year and a half. I love the big windows and the view of the woods! It’s far superior to the view I had in my last studio in New York: a brick wall. The natural light really, really helps. My last studio was so dark I had to use one of those sun/ion lamps!  So depressing. Here I have deer, squirrels, and birds outside my window. Much more inspiring.Laura Lee - 19

Describe a typical work day. Do you have any rituals you do before you start creating?
I have a typed schedule posted on my wall to give myself structure, because when you work for yourself you have to be a good boss! Schedule wise…I typically give myself “computer time” in the morning to handle emails, admin tasks, and internet work. (No internet exploring after this point unless it’s for reference!) After 10:30am is then “studio time,” when I become really cranky if interrupted. I try to make myself get up every hour to stretch or make tea. I give myself an hour “away from the desk” break usually at 4:00 when I take a walk or so something else active. Then 9:00pm is my personal cut-off time for being at my desk, because otherwise I’ll sit there until midnight!
My big ritual before starting work is that I always have to tidy the room I’m in before working so I don’t have any visual distractions. It’s the OCD in me. Then I also usually need to get myself OUTSIDE before settling into to work at my desk. Whether it’s visiting my grove in the backyard for a quick hello or simply walking outside and feel what the weather is, it’s a helpful transition ritual for me as someone working from home.

When was a time you had the most fun working in your studio?
I had the most fun while sharing a studio with penciller Reilly Brown and writer Chris Irving in Brooklyn while I was making Page by Paige. Our studio, Outpost 54, was down the hall from other studios of comic artists such as Dean Haspiel and Simon Fraiser. It’s the only time I rented out studio space for myself and it was invaluably helpful for me as I was starting out!

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Laura Lee - 10

Is there any special item/trinket in your space that inspires you?
I have a lot of whimsical souvenirs from my days working as a scenic artist on Macy’s Christmas windows. From the colorful rainbow circuit board to the giant cartoon glove, they remind me to dream big and work hard! I also have trinkets from other past projects I’m proud of, like the shadow puppet from our debut production of the Will & Whit Musical. I also have images of those who share my dreams with me: my dear friends, inspiring Artners, and my ancestors who I feel are cheering me on in spirit.
I also have a lot of “reminders” in my studio. Laura Lee - 16Some are illustrations I’ve made that read things like, “Stress Doesn’t Improve Production” and “Let’s Be Revelationaries.” (I sell these as prints on my website for $7-10.) Others are post-it reminders to take care of myself, or to “Start with what you know” which is my mantra for when getting the ball rolling on a project (also handy for when I’m having trouble picking an outfit to wear).

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Laura Lee - 14What colors inspire your creativity.  Are those colors incorporated in your space?
I love complimentary colors, colors that vibrate when they’re near each other. Teal green and poppy red is my favorite such combination, salmon orange & sky blue is another one I love.  But I love all colors! Periwinkle blue, the color of the Blue Ridge Mountains here in Virginia is probably my all time favorite hue. These colors appear as pops of color throughout the collection of artifacts that adorn my space. (they used to adorn my walls but my current walls are white) I pepper in a lot of color, especially yellow when I can. Yellow/ gold is always good to create warmth & make a space feel inviting.

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If you could relocate your studio for part of the year to another geographical location, where would it be?
I’d relocate to beautiful Vermont for the Summer because my Artner Lauren Larken lives there. I love the lakes and rivers and especially the creative community. (Plus this plan also rescues me from the muggy hot Virginia in the Summer!)

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Is there anything you like to listen to while you’re working? What are you reading/listening to now?
I MUST have music on while I’m working. Lately I’ve been listening to New York radio station WFUV online. Their listener request hour is stellar. If I’m writing or thumbnailing and require more focus, I tend to listen to my Yann Tierson (more instrumental) station on Pandora. When I’m inking & shading I tend to listen to podcasts or audiobooks. I’ve listened to the entire Harry Potter series via audiobook more times than I would like to admit.I’m currently reading the “Lumberjanes” (so fun!) and “Black Elk: The Sacred Ways of a Lakota.” Before that I read  “Women Who Run With The Wolves: Myths and Stories of the Wild Woman Archetype” and I cannot praise enough. Next up is the graphic novel “The Story of My Tits” by my friend Jennifer Hayden which I’ve been really looking forward to diving into.

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If you could share a studio with anyone in the world, who would you pick?
Definitely Scott McCloud. Not only is he super inspiring, but he and I also get along really well! I could see us having some really good conversations but then also knowing when to shut up and get work done.


What advice do you have for people who want to make a personal space where they can be creative?

If you want to make a space to be creative then just CLAIM it!  If your artistic outlet is a priority then you must stand up for your needs. Treat it with respect, keep it tidy, and schedule time for you to spend there. Display things to keep you inspired, such as what I mentioned earlier about personal reminders and images of the supportive people in your life. I’d also say it’s helpful to display your accomplishments in your studio. Whether it’s an award for something big or merely a souvenir from something you did that you’re proud of, I find it really grounding. Because we often don’t let ourselves celebrate out successes! I also enjoy including my fuzzy friend Rory cat in my space, hence there’s multiple surfaces for him to hang out. (as well as the oh-so-essential cat grass) Having an animal around makes working alone at one’s desk feel much less lonely and much less stressful.

A new painting that adorns my wall that was a Christmas gift. It's by a local artist named Erin Murray and I'm obsessed with it!

A new painting that adorns my wall that was a Christmas gift. It’s by a local artist named Erin Murray and I’m obsessed with it!

Laura Lee - 25What’s coming up for you and where can we find out more?
I’m currently working on writing & drawing TWO new books for Abrams and I’m so excited! I’m also developing the Will & Whit musical with my Artners here in Virginia. Then this January I have a residency at the innovative Delta School in Wilson, Arkansas where I will be working with kids making Peace Books. There is much afoot for 2016!  To learn more (and if you’d like to buy prints) here’s my website: whoislauralee.com

Thanks so much, Laura Lee! Great seeing all of your creative endeavors. Excited to hear you have two new  upcoming books!

Tuesday Tours will be back in February with Newberry-winning author Kwame Alexander sharing his writing sanctuary in Northern Virgina.

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Manitoba Art Residency

I’ve been working on a new residency with Manitoba school these past three weeks, creating animals and objects for their Coral Reef museum exhibit and their Rainforest exhibit. We had a lot of fun sculpting the animals and paper macheing the tree and shark. We’ll continue to meet in the new year to finish up before their museum opens in May.

Mike Curato’s Studio Tour

Mike Curato - 5Today on Tuesday Tours I’m thrilled to welcome Mike Curato creator of the books featuring the adorable polka-dotted elephant Little Elliot, which have won multiple awards and have received several starred reviews. The newest book Little Elliot, Big Family just released this fall, and the next one—Little Elliot, Big Fun will be coming out in August. Mike’s Brooklyn studio has the same spirit of Little Elliot—white and bright with punches of color, and full of fun and adventure!

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Tell us a little bit about yourself and your creative medium.
My name is Mike and I write and illustrate picture books! You may know a certain polka-dotted pachyderm from my books, Little Elliot, Big City and Little Elliot, Big Family. I work in pencil on paper with digital color.

Here are some of my tools that I use all the time.

Here are some of my tools that I use all the time.

 

How long have you had your space and how does it affect your creative process?
I’ve been in my current space for two years, and I love it. I actually work from home in Brooklyn, and part of choosing an apartment included good light and an extra room to work in. I used to have studio space outside of my home. Though I miss being around other creatives, there’s something to be said for being able to run into the workroom when inspiration strikes, and to be able to roll into bed whenever I want. It’s an easy commute, and I don’t have to deal with the weather!


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Describe a typical work day. Do you have any rituals you do before you start creating?
Full disclosure, I definitely start my day with email, Facebook, and Twitter while I eat breakfast. I’m not sure this is the healthiest way to begin, but that’s how I do. I wish I could tell you that I have a regular discipline, but I’m just not built that way. Some days I can dive right in, and others I need a bit of coaxing. Sometimes I have to clean my whole space before I can put pencil to paper. I’m not OCD, but clearing the clutter also clears my mind.


When was a time you had the most fun working in your studio?
I immediately thought of when my friends came over to help me build a paper mache Elliot for a window display at Books of Wonder. I always like company, and it was exciting watching Elliot come to life in 3-D. We made a pretty good mess, but it was well worth it!

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Is there any special trinket in your space that inspires you?
My favorite thing to look at when I need a pick-me-up is this drawing that my friend and former studio mate, Sarah Jane Lapp, made for me. When I was in Syracuse University’s illustration program, Hallmark came to review our senior portfolios. We sat through a mind-numbing slide-show of Hallmark imagery. The rep either described each piece as “cute” or “beautiful”, with an occasional “whimsical!” We were asked to leave our portfolios, and they would post a list of people they’d like to meet with after viewing them. When we returned, none of the illustrators were asked back, only surface pattern designers. When I relayed this story to SJ, I said “Apparently, my work is neither cute nor beautiful,” and she was inspired to make this for me. When I look at the drawing, I think to myself “I’ll show YOU cute and beautiful!”

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My husband gave me this elephant bakery as a birthday present! In case you didn’t know, I love sweets and elephants.

My husband gave me this elephant bakery as a birthday present! In case you didn’t know, I love sweets and elephants.

What colors inspire your creativity.  Are those colors incorporated in your space?
I love color. I use lots of color in my work. However, I’ve also been a graphic designer for over a decade, so I appreciate whitespace, both on a page and in my workroom. The other rooms in my apartment are quite colorful, but my workspace has white walls, a white drafting table, white flat-files, and white bookcases. The white allows me to focus on whatever is in front of me.

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I like books.

Here is a line-up of Little Elliot prototypes from MerryMakers from start to finish.

Here is a line-up of Little Elliot prototypes from MerryMakers from start to finish.

If you could relocate your studio for part of the year to another geographical location, where would it be?
Somewhere WARM and DRY. Maybe Palm Springs? Argentina? Spain? I was really inspired by Aaron Becker, who up and went to Spain for ten months with his family! It’s actually been my dream and goal to live abroad for a month in a different country each year. I’m not quite there yet, but I think it’s doable!

Here are a few of my shelf friends!

Here are a few of my shelf friends!

Is there anything you like to listen to while you’re working? What are you reading/listening to now?
I definitely listen to music and audiobooks while I’m drawing, and I even watch shows and movies while I’m coloring. At this very moment, I am listing to the soundtrack to Midnight in Paris. My musical taste is a bit all over the map, so I just put on whatever I’m in the mood for. I love listening to biographies. Yesterday, I started listening to Becoming Maria by Sonia Manzano, and it’s been really great so far. Sometimes I’ll have a show on in the background that I’ve watched a million times, that way I’m not distracted by the screen, but have something to fill the silence. I’m a big 30 Rock and Absolutely Fabulous fan. I can use a good laugh during the weary hours.

Among my prized possessions is this “Mike Mic”--a Disney Princess karaoke microphone on which Samantha Berger drew my portrait. That’s a photo strip of Samantha and her pup, Polly Pocket. Sam and I sing together a lot.

Among my prized possessions is this “Mike Mic”—a Disney Princess karaoke microphone on which Samantha Berger drew my portrait. That’s a photo strip of Samantha and her pup, Polly Pocket. Sam and I sing together a lot.

If you could share a studio with anyone in the world, who would you pick?
ONLY ONE!?!? You are going to get me in trouble. Actually, Ruth Chan and I have often talked about how much fun it would be to have a studio together, though we both agree that it may prove counter-productive. We share a passion for all things picture book and dessert related. Ruth’s first picture book, Where’s the Party, comes out this Spring!

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What advice do you have for people who want to make a personal space where they can be creative?
Think about what you need to be productive and comfortable. If you haven’t had a creative space before, you’ll figure it out, just be flexible! I’d also say that it’s really important to adjust chairs and desks to be as ergonomic as possible. You can’t be too creative when you’ve pulled your back or have a stiff neck, trust me.

Here is a water tower painted by Marcos Chin, a picture of my best friend, Jill, and this model Chevy that I bought to help me with some reference on a new secret project I’m working on ;)

Here is a water tower painted by Marcos Chin, a picture of my best friend, Jill, and this model Chevy that I bought to help me with some reference on a new secret project I’m working on ;)

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What’s coming up for you and where can we find out more?
I’m very excited for my upcoming title, Worm Loves Worm, which I illustrated for debut author JJ Austrian. It’s about two worms who want to get married, but all of their insect friends have something to say about it. Don’t worry, love conquers all in the end! Worm Loves Worm is available January 5th, 2016. You can find me at my websiteblogFacebook, or Twitter.

Thanks so much, Mike! Your space makes me feel creative, and it definitely makes me want to try out your Disney Princess karaoke microphone. :)  I’m looking forward to Worm Loves Worm!

Tuesday Tours will be back on December 29th when Laura Lee Gulledge, author and illustrator of some pretty fabulous graphic novels, shows us her Virgina digs.

If you’d like to get monthly updates on Tuesday Tour guests, please subscribe to my mailing list.

Shimmerling Wins Two Awards!

Shimmerling CoverExcited to find out this week that…
Shimmerling has won two awards!

The Midwest Book Festival Runner-up
The awards ceremony for the Midwest Book Festival takes place in Chicago on November 21st. Unfortunately I won’t be able to attend. :(

USABestBook Award FinalistThe USA Best Book Awards Finalist.
Stickers for the book should be arriving soon.
If you’ve already purchased a copy of Shimmerling and would like a sticker, please email me and I’d be happy to mail one to you.

To read Shimmerling, click HERE.
To learn the inspiration behind the book, click HERE.

To watch the book trailer, click HERE.
To view a video showcasing the making of Shimmerling, click HERE.

To Purchase Shimmerling, visit Wooden Nickel Press or Amazon

The Shimmerling residency was funded by Arts@Large. To learn more about this amazing non-profit or to donate to their worthy organization, visit http://artsatlargeinc.org.

Matthew Cordell’s Studio Tour

Matthew Cordell - 9 (1)Today on Tuesday Tours we have the talented author and illustrator Matthew Cordell sharing his studio from just outside of Chicago. I love Matthew’s illustrations and I’m not the only one, as he’s the illustrator of over 25 books and counting. One of which is the New York Times Notable picture book, HELLO! HELLO! He’s currently busy at work finishing up the artwork for two picture books, as well as developing sketch dummies for two others, one of which he’s also writing. This busy workload might create a bombed out studio—his words, not mine :) . But it also lends itself to an amazing energy that flows throughout Matthew’s work.

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Matthew Cordell - 1

It ain’t beautiful. But it is ugly beautiful.

Tell us a little bit about yourself and your creative medium.
I was born and raised in a small town in South Carolina and moved to Chicago when I was 24 years old. I’m now married to my lovely author wife, Julie Halpern, and we have two kids (6 and 2) in suburban Chicago. My schooling was in graphic design and fine art, but after a detour or two, I made my way into the world of art and storytelling with books for children. And thankfully so. It reignited my nearly flamed out artistic passions and I really, really love it here. I like messy, expressive, unconventional (dare I say ugly) art. I also like humor in art. Not so much the knock-you-over-the-head-with-it kind, I guess I’m more drawn to the subtle stuff. Generally speaking I like people and things that don’t always take themselves so terribly seriously. A sense of humor and humility in work and in life. These are musts. My art is primarily created by drawing in pen and ink and coloring in watercolor. I’ve strayed from this particular combo here and there, but pen and ink is what I love (sometimes hate) and end up doing the most.

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There’s a ton of books on bookshelves down here. Some of which are pertinent to my work, some of which are just books we’ve accumulated as a family over these many years. And, of course, more clutter.

How long have you had your space and how does it affect your creative process?
When I went full time book maker back in 2007, I was working in one of the 3 bedrooms of our house, on the upper level. A little small, but lots of natural light with a nice view of the backyard. But when our second child was born in 2013, I had to vacate that room and move my operation down to the basement. Since it’s mostly subterraneous down here, there’s very little natural light (2 window wells) and it’s basically cold year round, I don’t love it, but I can certainly get by. I thrive off of natural light, so truthfully it can be a bit of a bummer working in a basement. Lately when I’m painting, so I can bet a better handle on color, I’ll temporarily set up a table in our master bedroom by a window and get the natural light fix. My wife suggested this a couple of books ago for me. Great idea, really, to mix it up. Truth is, I’m not terribly picky about stuff. I don’t need a beautiful or organized (or clean for that matter!) space to be happily at work. I do like daylight and I miss that in my current workspace. Eventually I’ll have to figure something else out. Eventually. With young kids and a heavy workload, stuff like having the studio you want takes a backseat in life.

Matthew Cordell - 3

My drawing table. On the table here are a few studies for the next picture book I’ll soon be starting final art for, WOLF IN THE SNOW. I think I’ll be trying something new (new to me) drawing with several layers of colored inks. To be determined…

Describe a typical work day. Do you have any rituals you do before you start creating?
Half of my day—the morning—is spent working as a Dad for my 6-year-old (driving her to school) and my 2-year-old (doing stuff 2-year-olds like to do). My wife (author Julie Halpern) works in the morning and takes over with the kids usually around lunch time. I spend the rest of the day (and sometimes nights after everyone’s in bed) down in the basement. No rituals to speak of really. Usually I start the work day by answering emails and social media upkeep. Then it’s draw, write, repeat.

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Corkboard with odds and ends and some favorite pics of the fam.

When was a time you had the most fun working in your studio?
It’s hard to pinpoint any one moment that has been fun or rewarding. I think my favorite part of the process of creating a book comes just after all sketches are approved and it’s time to make the final art. But the favorite part is just after THAT. When it’s finally time to make the final art, I really set in dreading making that very first mark on paper. I’m afraid of what it will or won’t look like. Then, when I finally work up the nerve to start, and it’s looking good, there’s a huge rush of relief. The ice is broken. And then I’m up and running and it feels great. Give or take the snags and self-doubt speedbumps along the way. Oh! And FINISHING a book and being DONE and mentally fat and happy with all that has just been accomplished. That final, final moment after all the days, weeks, months, years (?) that went into making a book from very beginning to very end. That is absolute bliss, man.

Is there any special item/trinket in your space that inspires you?
I have a poster of Mister Rogers hanging above my computer desk. Folks who don’t know much about Fred Rogers, I highly suggest you poke around and see what you find. As far as I can tell, he was, like, THE perfect human being. Selfless, kind, wise, accepting, curious, sincere, humble, funny… I find him—his life and his life’s work—tremendously, incredibly inspiring.

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My computer desk. Underneath all those papers (lots and lots of sketches!) is my trusty lil’ scanner. Underneath that other pile of papers (more sketches!) is my trusty lil’ laser printer. Underneath that other big pile of papers (sketches!) … that’s just a big pile of papers (sketches).

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This shelf houses all of my favorite books. Picture books, comics, image ref, dictionary, thesaurus, etc. It’s sort of organized.

A bunch of weird, random, keepsakes. Including some things friends have made for me, an old cheap chalkware statue that will always remind me of my Nana’s house, and some old weird kid busts that my wife got from somewhere!

A bunch of weird, random, keepsakes. Including some things friends have made for me, an old cheap chalkware statue that will always remind me of my Nana’s house, and some old weird kid busts that my wife got from somewhere!

What’s the biggest distraction for you when you’re creating? How do you deal with it?
Social media. Facebook, specifically. I’m on Twitter too but I never really grabbed onto that one. I don’t do instagram, tumblr, or anything else. I just don’t have the mental capacity to keep it going on more than one platform. I mostly use Facebook in a creative/professional capacity. I love sharing work and discovering and seeing new work and works-in-progress from my contemporaries. I accept that it’s become a part of the job, in a sense, but it does get super distracting. I usually just try to take little breaks (equivalent, I guess, of, like, smoke breaks) and check in on the Facebook between chunks of drawing/painting. That kinda keeps it at bay.

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If you could live inside the world of one of the picture books you’ve illustrated, which one would it be and why?
Definitely SPECIAL DELIVERY (written by Philip Stead). It’s totally weird and wild and fun and exotic. High adventure! Lots of animals! Beyond that, it’s basically only kids and old folks in that book. My favorites.

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A pile of books on my floor that have been recently inspirational, or recently purchased, or recently looked at, or recently useful in SOME way.

What other artists, writers or creative people are you most inspired by at the moment?
I love John Burningham. I think he might be my #1 book making inspiration. He’s so… out there. I also really love Quentin Blake, William Steig, Jules Feiffer, Bernard Waber—folks who have been or were so very loose-limbed with the pen. I’ve really been getting into the picture books Quentin Blake and Russell Hoban did together. Sendak, of course. Saul Steinberg is always in the back of my mind somewhere. Arnold Lobel is amazing. Virginia Lee Burton is great—often for nostalgic purposes too. Lately, I’ve been digging into Leo Lionni’s books. In terms of more contemporary inspirations… I’m always super diplomatic answering this sort of question! Truth is, there are a great many authors and illustrators today that I find inspiring. But I hesitate to name just a few, because I don’t want to hurt anyone’s feelings by leaving folks out! (Total cop out.)

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If you could relocate your studio for part of the year to another geographical location, where would it be?
Hmm. That is a great question! Since my daughter’s in first grade and fully entrenched in school now, we don’t have this option. But I love the idea of it. Since it’s fantasy at this point, how about one of two places that don’t really exist? Um… Northern Exposure’s Cicely, Alaska. Or Gilmore Girls’ Stars Hollow.

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A small couch where I often sit when it’s not covered in stuff. On top of the understuff here, are character sketches and color studies for a picture book I just finished, BOB NOT BOB.

What advice do you have for people who want to make a personal space where they can be creative?
My advice would be… don’t get too hung up on making THE perfect space. Often times, that is ultimately procrastination anyways. Just find the room or area you need, set yourself up more or less, and get to work! Everything else will fall into place. Let the making of the work define the space, not the other way around.

Matthew Cordell - 4

There’s shelves on the walls with various toys and tchotchkes collected by the wife and me over the years. They used to be “collectibles”, but since we’ve had kids, the “collectibles” are just “toys” that come off and go back on the shelf at any given time.

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What’s coming up for you and where can we find out more?
I just finished a picture book called BOB NOT BOB which I loved illustrating through and through. The story is clever and unique and funny and a just the right amount of weird and was written by authors Audrey Vernick and Liz Garton Scanlon. Currently, I have several plates in the air: about to start final art for my next author/illustrator picture book, WOLF THE SNOW (Feiwel and Friends, 2017); writing and sketching up another picture book that will be a follow up to my 2015 book, WISH (Disney-Hyperion); and I’m about to start a sketch dummy for THE ONLY FISH IN THE SEA, a follow-up to this year’s SPECIAL DELIVERY (Roaring Brook). wishMy next book out will be another picture book I had the great fortune to illustrate called LOST. FOUND. by author Marsha Diane Arnold. Super clever and fun and sweet despite there only being two words in the whole book! (Guess what they are?) That’s out November 3. I had three other books out in 2015, WISH, SPECIAL DELIVERY, and FIRST GRADE DROPOUT by Audrey Vernick. It’s been a blockbuster year! My website is matthewcordell.com but it’s shamefully out of date. Better yet, maybe, connect with me on Facebook!

Thank you so much, Matthew! Looking forward to seeing you this weekend at the Prairie Writers Day. And I’m anxious to see what BOB NOT BOB is all about—I just love the cover. Best of luck on all the books you have coming up!

Little ElliotTuesday Tours will be back on December 8th when Mike Curato, creator of the adorable Little Elliot books,  shows us his Brooklyn studio.

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Picture Book Halloween

My favorite holiday gets a little bit better when my family and I dress up as characters from pictures books. Last year my daughters Evey and Celia got to have all the fun, but this year Michael and I, our nephew, and my brother and sister-in-law got to join in as the creatures from Maurice Sendak’s book Where the Wild Things Are.

WILD THINGS! Costume picture

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