Debbie Ridpath Ohi’s Studio Tour
How long have you had your space and how does it affect your creative process?
In the beginning, I tested (tortured?) Jeff by leaving a clearly misplaced book or pen lying out in the middle of my office floor. I could tell it was a struggle for him not to put it away (he’s a very, very neat person–you can imagine what an adjustment it was for both of us when we first moved in together) but to his credit, he left my clutter where it was. Anyway, my Office Cave makes me feel safe and wonderfully isolated and in turn, that makes it much easier to focus on creative pursuits.
Are there any kind of rituals you do before you start creating?
I’ve always been envious of those who have creative rituals, like brewing a cup of tea or sharpening their pencils. It sounds so calming. Sadly, I have no ritual. If I’m struck with a creative idea for a found object doodle or a story, I’ll usually drop everything to write it down or (in the case of a found object doodle) create it right away.
If you’re talking about how I start my work day, I suppose I do have a ritual, although it’s not one I’d especially recommend for anyone else. I usually start each work day still in my pajamas, going straight from getting up, to walking down two floors to my Office Cave. I’ll check social media and email, then I’ll figure out what exactly I’m going to work on that day. Partway through the morning I’ll realize I’m hungry, and go get some breakfast. I usually eat it in front of the computer while I continue working. After breakfast, I’ll finally go up and take a shower and get dressed. I’d like to think that someday I’ll settle into a ritual that sounds much more appealing when answering a question like this one. It will probably involve a cup of tea and perhaps sitting out on our back deck and enjoying the outdoors for a few minutes before starting my work day. Perhaps a jaunty walk!
I find it depends heavily on what stage of what project I’m working on. If I’m writing, I usually prefer silence or unobtrusive ambient noise (I use Coffitivity sometimes. Ditto for when I’m at the very early stages of illustrating a book project, when I’m figuring out the basic layout of scenes and doing thumbnail sketches. At all other stages, especially when I’m doing anything repetitive and detail-oriented (like flat coloring before adding textures and shading), I listen to music or audiobooks, or even have a DVD of a movie or tv series I’ve already seen playing in one corner on my second monitor. I know the latter (movies/tv shows) sounds odd, but I found it worked for me when I have really long (e.g. 12+ hours) work days. The trick, I found, was to find movies or shows I had already watched at least a couple times before or had a lot of dialog rather than action, so I just needed to listen and not watch. AND it needed to be as different in tone from the project I was working on as possible, so it wouldn’t influence the project. Since the beginning of the year, I have worked my way through all the seasons of Supernatural, West Wing, and partway through Babylon Five. More recently, however, I’ve been listening to a lot of music instead. Music’s also great because I like to take officecrazydancebreaks. I’m a terrible dancer, but I find it extremely liberating and fun to regularly turn up a good tune in my office and then go into officecrazydancebreak-mode, where no one can see. Or I’ll sing along at the top of my lungs, mostly offkey. Some recent favorite workmusic: ELO’s Time album, Ookla The Mok’s Evil I album, Ed Sheerhan’s X (Deluxe Edition). Recently, I asked my FaceBook friends for suggestions for my new officecrazydancebreak playlist, and here’s a sampling.
Stop back next week when Canadian author/illustrator Barbara Reid shares her lovely Toronto studio where she creates her vibrant plasticine artwork.