Last fall my daughters and I were a few of the lucky participants to sit in on a paper-pulp art making workshop with the renowned Denise Fleming during the Sheboygan Book Festival. We were complete taken with Denise’s creative way to illustrate, and when we got home we had a lot of fun mixing toilet paper with colored water to create some Denise-inspired paper art! I’m excited to find out more about Denise’s process and take a look at her studio space today on Tuesday Tours. Denise Fleming’s the author and illustrator of eighteen picture books, and she won a Caldecott Honor award for her book In the Small, Small Pond. Denise works in clay, creates art from tin cans, makes art dolls, paints, and of course creates rich illustrations using paper pulp. Her giant studio in Toledo, Ohio is the perfect place to dive into whatever medium suits her fancy.
Tell us a little bit about yourself and your creative medium.
Most of my work is done using a paper making technique called Pulp Painting. Colored fiber floats in water. I pour the fiber/water mixture onto a screen, the water drains through, the colored fiber stays on top of the screen. Using squeeze bottles and hand cut stencils I build an image using the wet fiber. I love process, seeing how images are created, so this technique appeals to me. I also love the physicality of the process. The big buckets of water and pulp that I use. When the cotton pulp arrives it is white and damp. Pulp beaten medium forms the bottom sheet. Pulp beaten very fine is what I use to create the images. I add more water to the pulp, then retention aid and color pigments. I use a palette of twelve basic pigments.
How long have you had your space and how does it affect your creative process?
I have had my present space for over twenty years. My husband and I built it ourselves. It is fairly large – 24 x30 feet. As I work in a wet medium it has a sink and a lino covered concrete floor. It is accessed off our living room by two sets of french doors. My husband is an artist also. So work and life just run together. Originally, I had half of the space, but I needed more room, paper making takes a lot of space, so we took down a center wall.
Describe a typical work day. Do you have any rituals you do before you start creating?
There is no typical work day. Bookmaking just blends in with my life. I write my own books, so time is spent doing that. I also work in other art forms and have other studios for those endeavors. As far as rituals go, a big glass of water and a big glass of iced tea are always at hand. Music or books on CD are playing. I used to always work in PJs, now I wear big baggy pants and T-shirts.
When was a time you had the most fun working in your studio?
Just recently, I started back with printmaking. I had a ball trying all sorts of materials that are new and non-traditional. I had to move the printmaking out to the art doll studio, because I just started the art for a new book in pulp and the printmaking was too much temptation. Broke into my focus. Also some years back I had a group of book lovers from Delaware, Ohio visit and we all made pulp paintings. That was great fun.
Does music influence how you work? What’s on your playlist now?
When I am writing, I play nature sounds or classical music, when I am designing I tend to like drumming or chanting, if I am tracing or cutting stencils I listen to books on cd or favorite artists which vary greatly. Pulp painting calls for Paul Simon, Norah Jones, Annie Lennox. And all are on old fashioned CDs.
How do you organize your books/bookshelf? Is there a formula you use?
Ha, Ha, Ha, Ha. Do they all fit? would be my formula. Books are everywhere. In bookcases, on shelves, in trunks, in big cheese boxes. Oh, that is a funny question.
Where & how do you store your finished work?
My husband is in charge of this, so the storage of finished art is organized and done properly. I have a closet with shelves and archival boxes in which the art is stored with special tissue.
If you could share a studio with anyone in the world, who would you pick?
No one. I would never share my studio. Another person would use up too much of my oxygen. Quite revealing, eh? Not even David Hockney. He could have a studio next door.
What would you say is the most useful tool in your studio?
China markers, which I use to sketch and draw all my designs. Or 8B pencils.
What advice do you have for people who want to make a personal space where they can be creative?
Hang a curtain if you have to, but rope off your space. Put your bed in the tiniest bedroom and keep the biggest bedroom for your studio. That is what we did in the beginning. Studio space always came first. You can eat on TV trays, keep that big table for your art. I started on a folding card table, as we didn’t have a kitchen table and I was working in pen and ink so I didn’t need much space.
What’s coming up and where can we find out more?
Ashley Wolff and I are leading a workshop at the Highlights Foundation, April 9 through the 12th, Color, Light, Line, and Texture – a hands on workshop. Which is going to be fabulous, really fabulous. You don’t have to be an artist. It is open to people that love creating. We want you to expand your knowledge of illustration techniques. Alternative printmaking, pan pastels, gouache resist, collage, creating decorative papers, mini edition books, and transfer techniques are all part of the workshop. For information and registration http://highlightsfoundation.org. My website is http://denisefleming.com or write me at email@example.com. This has been a hoot. Still laughing about bookshelf formula!
Thank you, Denise! Such a fun interview and what an amazing studio space! I love how you have such versatility in so many mediums. I bet your workshop at Highlights is going to be very inspiring!
Join us next week when award-winning Wisconsin author Pat Zietlow Miller shares the place she pens her picture books.