Liz Garton Scanlon’s Studio Tour

AllThe WorldI’m thrilled to have Liz Garton Scanlon share her Austin, TX bungalow with us on Tuesday Tours today! Liz is the author of one of my favorite picture books All the World (illustrated by Marla Frazee), as well as many other great stories that have entertained my family over the years. Each of her stories is full of authenticity—so true and touching that it pulls at the heartstrings and gets straight to the emotion of the story, such as my favorite phrase from All the World—“Babies passed from neck to knee”. With her new book A Great Good Summer, Liz joins forces with illustrator Marla Frazee once again, but in a very different way. This time instead of a picture book, Liz has released her debut middle-grade novel, and it’s been receiving great praise and reviews. She hasn’t forgotten about picture books though, as she’s also recently released In the Canyon (Illustrated by Ashley Wolff) about a young girl experiencing the Grand Canyon for the first time. To get a signed copy of any of Liz’s amazing books, visit her at the Sheboygan Book Festival, where she’ll be presenting along with me and thirteen other authors/illustrators October 9-11th.

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Tell us a little bit about yourself and your creative medium.
I write poetry, picture books and novels on my laptop in my own little nook in Austin, Texas.

How long have you had your space and how does it affect your writing process?
My husband and I bought this tiny 40’s bungalow about 12 years ago and after a few years we were popping its seams. (When we moved in, we had little girls and they eventually got big.) So we added on a little space, including a kind of closet-ish room for me. Big enough for the old library table I use as my desk.

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Describe a typical work day. Do you have any rituals you do before you start writing?
Do you mean besides coffee? 😉 I send my kids off to school and then I either walk or run with my dog before I get to work. That gets my blood flowing, and I often get ideas while I’m moving. Sometimes I remember them long enough to write them down.

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If you had to pick a quote to hang above your desk for inspiration, what would it be?
I DO have quotes above my desk — lots of them. One thing I read every day, because it’s right there, is William Stafford’s When I Met My Muse, in which the muse says, “When you allow me to live with you, every glance at the world around you will be a sort of salvation.” Here’s a link to the whole thing.
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Is there any special item/trinket in your space that inspires you?8unnamed
My space is full of talismans. I have baby pictures of my daughters that keep me grounded. There’s a drawing I did as a little girl at that stage where you don’t draw bodies — you just draw arms and legs coming straight out of a person’s head.
I like to think it keeps me child centered. And I’ve got a candle that looks like a rock. My editor Allyn Johnston sent it to me after we did All the World together with a note that said, “It all began with a rock” (because that’s the first word of that book). It’s my most tangible reminder that we can make something out of nothing, all of us, at any time, and that in so many ways it is simple…

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What’s the biggest distraction for you when you’re writing? How do you deal with it?
Because I work at home, there is NEVER not laundry to be done or a floor that could use a good sweep. Sometimes I’m good at ignoring those things (ask my family) but other days I’m wild with distraction. That’s when I just have to pick up and go elsewhere. There’s a coffee place just 2 blocks away with a very good decaf latte. That’s the beauty of a laptop.

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If you could relocate your studio for part of the year to another geographical location, where would it be?
I actually already do spend about a month every summer at our family cottage on a lake in Wisconsin. I’m not always very good about working there, but I definitely re-charge there. And find inspiration there. And I think that as my kids get older, and as I do too, that I may use it as a work space more and more. Like, when water skiing becomes less important.

 

What other artists, writers or creative people are you most inspired by at the moment?
Oh, this morning I was in tears over a radio interview with architect Frank Gehry. Seriously. I’m inspired by brave, wild, imaginative people every day.
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What advice do you have for people who want to make a personal space where they can be creative?
You can create a lot of amazing art — written or visual — at the kitchen table, at a coffeehouse, in your bedroom if you have to. To me, almost more important that claiming space is claiming time. Time that you demarcate and value. Put it on your calendar. Make it important and unmissable. And then sit down somewhere and do what you do.

InTheCanyonWhat’s coming up for you and where can we find out more?
My newest books are the brand new picture book IN THE CANYON, which takes place in the Grand Canyon and is exquisitely illustrated by Ashley Wolff, and my first-ever middle grade novel, THE GREAT GOOD SUMMER, which takes place in a made-up Texas town, features a crooked preacher called Hallelujah Dave, and sends a couple of 12-year-olds on a Greyhound adventure! I’m working on my next middle grade now. Visit me at http://lizgartonscanlon.com and check out some really great activity guides (teacher-created) for each of my books at http://lizgartonscanlon.com/teachers-guides/.

Thank you, Liz! I can’t wait to sink into a Great Good Summer and I’m looking forward to seeing you at the Sheboygan Book Festival in a couple of weeks!

coverJoin us on September 22nd when we take a look inside author and naturalist Stacy Tornio‘s writing space.

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Maggie Rudy’s Studio Tour

I’m a sucker for picture books that go beyond traditional illustration, so I was blown away when I saw Maggie Rudy’s fantastical mouse environments that make you want to jump into the pages of the book. Maggie started creating these little creatures as a project to help incoming kindergartners make the transition to school, giving them an object to connect with, and from there it’s turned into a empire she calls Mouseland. Maggie’s first book The House That Mouse Built is a takeoff of The House That Jack Built. Her newest book, I Wish I Had A Pet, places her mice into contact with other animals, as they offer their advice on pet care. Maggie’s illustrations in both of these books have the ability to turn me into a kid, trying to see all the little things in the pages and reminding me of when I was young and could very easily imagine worlds of wild creatures creating little homes out of discarded human material.

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Tell us a little bit about yourself and your creative medium.
Illustrating children’s books has been an unexpected career for me. I worked for years in pastels and acrylics, and I showed at Mark Woolley Gallery in Portland, Oregon, where I still live. I also made little felt mice to entertain myself, and later as a project with my sons’ school. I began taking photos of the mice, and to think about using them as illustrations. My second book was published in July. To make the mice I only need a few things…grey felt, pipe cleaners, cotton and beads. But their environments require lots of materials to choose from, so much of my studio is taken up with bins of fabric, paper, wooden boxes, cloth flowers, old books and miscellaneous salvage.
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How long have you had your space and how does it affect your creative process?

I set up my studio in 2010, in a room over our garage. I call it Mouseland. Having a home studio means that I can work anytime I want, without having to get in the car. I love being able to go up at night and look at what I’m working on, so it’s in my mind before I go to sleep. I’ve gotten a lot of ideas that way.
I need to have my materials and tools out where I can see them, otherwise I’ll forget what I have. Plus I’ll often get an idea when my eye falls on some random object.
Another bonus is that we live in the woods, so I can go outside and collect materials easily.

drawersDescribe a typical work day. Do you have any rituals you do before you start creating?
I usually get in the studio by 9:00. I do my best work in the late morning, so that’s when I’ll work on things that are particularly small or detailed. I break for lunch at noon and then go back up. If I’m shooting that day I’ll figure out the lighting and take pictures, or clean things up in Photoshop. Otherwise, I’ll just keep making stuff.
I try to remember to get up and walk around every hour, and I’ll take my dog for a walk most afternoons. The only ritual I have is turning on the heater at 8:30, because the studio isn’t heated! Plus I use it to dry things that I’ve glued or painted.


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Please tell us about a time you had the most fun working in your studio.

The most fun time is when I stumble onto a new technique or idea, which usually happens when I bollix something up. Then I get a huge surge of creative energy.potato forest


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Does music influence how you work? What’s on your playlist now?

Music helps keep the flow going. I have an eclectic mix on my ipod. Radiohead, Amalia, Iris Dement, & Beck are some of the latest things that played. I also listen to Desert Island Discs, on BBC 4. They have an archive going back to the forties, and the interviews are fascinating.
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Drawing by Maggie’s son Sam.


What is your greatest source of inspiration as an artist? Is there any special item/trinket in your space that inspires you?

My best inspiration is the natural world. I also have a drawing that my son made for me, of this little creature sitting under a tree, holding a steaming cup. It’s hanging in my studio and it always makes me feel encouraged.

Is there a favorite drink or food that you have while you work?
Any drink I take into Mouseland ends up with a paintbrush in it, so I’ve learned not to do it!

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What are the three best things about your studio?
It looks out into the trees, it’s a 10 second walk away, and I don’t pay rent.

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If you could add a new tool or piece of furniture to your studio, what would it be?
I have more tools than I need..what I’d really like is a storage space or a ceiling that doesn’t slope, so I would stop whacking my head!
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What colors inspire your creativity. Are those colors incorporated in your space?
Since my workspace doubles as a photography studio, I keep the walls and ceiling white.
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What advice do you have for people who want to make a personal space where they can be creative?

A big, beautiful studio is every artist’s dream, but we don’t usually get them right away. It’s a big step to graduate from the kitchen table! So you may just start out with a dedicated corner of the living room that you can screen off. Have a window if possible, and spend some money on great lighting. Start calling it “my studio” and make it off limits to anyone but the artist (you). Sit there every day, even if you don’t know what to do. You can make great art there, just as you will someday make great art in your big beautiful studio!
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reading petsWhat’s coming up for you and where can we find out more?
My latest book is called I Wish I Had A Pet. I post new Mouseland pictures every week at my blog, MousesHouses.

Thank you, Maggie! It was a delight getting to peak into your studio. Just like your illustrations, your studio is a feast for the eyes, with so many things to look at. Best of luck with I Wish I Had A Pet! It’s adorable!

Join us next week when we’ll get the chance to visit the studio of Milwaukee painter and art educator Tia Richardson.

School Tours, Author Visits, and Art Workshops at the Gallery!

Over the past two weeks I’ve been working with students from four different schools and sharing the story of my newest book Shimmerling. We did a little bit of meditation, danced to Pharrell William’s song ‘Happy’, sang some pretty rocking Shimmerling songs, and made beautiful engraved leaves that the students took home with them. I love doing presentations and workshops in the gallery surrounded by all the artwork from the exhibition. Thanks to Arts@Large for making it happen 🙂

‘Stories Shared’ exhibition – opening night!

What a wonderful opening! Arts @ Large did a fantastic job and the work looked beautiful! Standing in the gallery looking around at the mixture of artwork from Caldecott-winning artist Faith Ringgold, next to artwork for my next picture book created with help from students in Milwaukee, and listening to the amazing talents of Skai Academy’s young group of singers and musicians, I started to tear up a little. I was so moved by how all these amazing people connect, create, and work towards a better community and world. Special thanks to Kim Abler, Teri Sullivan, Linda D’Acquisto, Ryan Hurley, Sean Kiebzak, and Brianna Dorney for their creative energies and their ability to make beautiful things happen in Milwaukee. I feel very grateful that I get to be a part of this show!

Oh, and I can’t wait to meet Faith Ringgold on May 15th!

‘Stories Shared’ co-art exhibit with Faith Ringgold April 25th, 2014!

Stories Shared
Opening April 25, 5-8pm
Gallery @ Large, 908 S. 5th Street, Milwaukee, WI, (414) 763.7379

Shimmerling Cover_webJoin us for Stories Shared, a gallery opening featuring the work of Caldecott Award winning artist and author, Faith Ringgold!

The exhibit will include 20 of Ringgold‘s story quilts and illustrations, the sculptural art of local artist and children’s author Andrea Skyberg, and the artwork of MPS students, who, with funding from Arts@Large, helped create the illustrations for Andrea’s new children’s book, Shimmerling. 
 The evening will also feature students of Skai Academy of the Performing Arts, performing excerpts from a musical production inspired by Faith Ringgold‘s book, Tar Beach.

 

FaithRinggold TarBeachMay 15th, 2014 6-8pm

Faith will be visiting Milwaukee and will give a  FREE lecture at the North Division High School Auditorium: Thursday, May 15th from 6:00-8:00pm. Boswell Books will provide books for sale at the event, and Faith Ringgold will be available for book signing after the lecture. Address: 1011 W. Center Street, Milwaukee, WI 53206

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‘The Making of Shimmerling’ by Andrea Skyberg

‘The Making of Shimmerling’ is a behind the scenes look at how, with funding from Arts@Large, I worked with over 300 students in two Milwaukee Public Schools — West Side Academy and Bethune Academy to create the artwork for my  upcoming picture book.

Shimmerling Residency: Metal Engraved Feathers

Over the past two weeks students in the 1st – 3rd grades at West Side Academy have been working on designing and engraving three metal feathers to be used on a life-size tree sculpture/costume and a 6 foot wall hanging. Students created a feather with an image of a tree and one feather with an image of a bird. By the end of the residency there will be over 300 feathers that cover the tree sculpture. The sculpture/costume will be the main feature in my new book Shimmerling.